...et pour quelques hectares de plus

Christopher Hitchens: Believe Me, It's Torture

When the renowned author, orator and journalist Christopher Hitchens was challenged to undergo the brutal interrogation technique known as waterboarding, few would've expected he'd accept such a task - he had previously expressed the position that the controversial procedure would not qualify as torture, and most who'd claim such a thing would not have the courage to test their convictions. Yet, in May 2007, Hitchens did just that - and his experience profoundly impacted both himself and his stance on the matter, prompting him to declare he'd been wrong, and later to publish his 2008 article for Vanity Fair's August issue, simply titled 'Believe Me, It's Torture'.

The Bapst Brothers, Carriers

The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.

Nero's Guests

Nearly 2, 00, 000 farmers have committed suicide in India over the last 10 years. But the mainstream media hardly reflects this. Nero´s Guests is a story about India’s agrarian crisis and the growing inequality seen through the work of the Rural Affairs Editor of Hindu newspaper, P Sainath. Through sustained coverage of the farm crisis, Sainath and his colleagues created the national agenda, compelling a government in denial to take notice and act. Through his writings and lectures, Sainath makes us confront the India we don’t want to see, and provokes us to think about who ‘Nero’s Guests’ are in today’s world.

Pétain et les francs-maçons

Modern Life

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

The Society of the Spectacle

Guy Debord's analysis of a consumer society.

Raising Bertie

Raising Bertie is a longitudinal documentary feature following three young African American boys over the course of six years as they grow into adulthood in Bertie County, a rural African American-led community in Eastern North Carolina. Through the intimate portrayal of these boys, this powerful vérité film offers a rare in-depth look at the issues facing America's rural youth and the complex relationships between generational poverty, educational equity, and race. The evocative result is an experience that encourages us to recognize the value and complexity in lives all too often ignored.

The Neverending Party

A look-back at popular French movie "La Boum" (The Party).

Grizzly Man

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

La Rivière

Entretien politique : Histoire et mode d'emploi

An Insignificant Man

After the anti-corruption protests, Arvind Kejriwal along with his team members forms a new political party to fight the Delhi elections.

Picasso and Sima, Antibes 1946

In June 1946, the sculptor and photographer Michel Sima met with Pablo Picasso in Antibes. At Picasso's request, day after day Sima photographed Picasso's works-in-progress in the workshop he found for him at Grimaldi Palace.

Les Grandes Heures de l'automobile : Renault

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.